التصنيفات
الصف السابع

ورقة عمل عن درس جزم الفعل المضارع للصف السابع

ورقة عمل عن درس جزم الفعل المضارع

الملفات المرفقة

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الصف السابع

حل درس كليلة ودمنة ^_^ للصف السابع

جبتلكم درس كليلة ودمنة اتمنى انكم تستفيدون منه
الصفحه :160
1- ارض كثيرة المياه والعشب
2- الاسد – الارنب – الوحوش
3- الثاني لاانه يناسب ممون القصة
توصيل الدابة : كل حيوان ……..
رفق به : عامله بلين
القرعة : النصيب
غصبه : أخذه ظلما
زعم ان : قال وحكى
زعم خالد طمع ورغب
زعم مروان :ساد وراس
ص"161
الكلمة الدخيلة : مدح

احول الى الجمع
مراعي
الرسل
الدواب
الجباب
اعلل
1- لان نون تدل على النسوه
2- لانها الناء المتكلم

162

الخوف من الاسد
اتفقت معه ان ترسل له كل يوم دابة
لانه هذا الحل لصالحه
لااوافق لانه يؤدي الى الاستسلام

163 التفكير والتخطيط
الطمع والتسلط

توجيه المظلوم لاستعادة حقه

لبن المقفع اسلوب ابن النقفع

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ثمار الادخار للصف السابع

يبتلكم اليوم درس ثمار الدخار

1- الادخار : أن تحتفظ ببعض المال أو بعض الأشياء النافعة من أجل الاستفادة منه عند الحاجة إليه.
2- يشعر المرء بالسعادة حين يجد لدية مبلغا من المال قد جمعه من مبالغ صغيرة .
3- العبر : الصبر – التحمل – النظام – التعاون – الادخار
4- الادخار هو : اعتدال واقتصاد في الانفاق وهوسلوك حضاري .
البخل : حرص وتقتير وحرمان فلا ينفع نفسه منه ولا ينفع غيره .
5- لا بل على الناس جميعا .
6- إذا اعتاد الانسان منذ نعومة أظفاره لينشأ حريصا على العمل النافع.

ب -1 الادخار = الاقتصاد
التبذير = الاسراف
البخل = التقتير

ب-2 كياسة : حسن التصرف
طارئ: مفاجئ
بعد النظر : لديه نطرة مستقبلية
قواما : استقامة
سخاؤك : كرمك

مترادفتين : حرمان – تقتير
متضادتين : صغير – كبير — جيده ورديئه

2- 1 : ثمار الادخار من وجهة نظر الكاتب :
حسن التصرف في الأمور الطارئة
مساعدة الناس وقت الحاجة
الانفاق دون تبذير

2-2 سرد القصة في الدرس لصاحب البستان
2-3 الجمل المشطوبة :
قصر نظر صاحبه
البخل والتقتير
السلوك الارتجالي
2-4 البيت الأول أنه يدل على أن كثرة التبذير وكثرة البخل تؤدي بصاحبها إلى الفقر الشديد
2-5 السؤال الأول : ما هو الادخار ؟
السؤال الثاني : ما سبب اهتمامنا بالادخار؟
السؤال الثالث: ما الدروس المستفادة من النمل؟
السؤال الرابع : ما شعور المدخر إذا وفر ماله؟
السؤال الخامس : ما الفرق بين البخل والادخار ؟
السؤال السادس : على من يقتصر الادخار ؟
5 – أ ( رب لولا أخرتني إلى أجل قريب فأصدق وأكن من الصالحين )
( والذين إذا أنفقوا لم يسرفوا زلم يقتروا زكان بين ذلك قواما )
المهم أن يحرص الشخص على أن يقطع جزءا من ماله للادخار مهما كان دخله قلبلا

ب-1 تعبير مجازي أن الادخار ليس بشجرة مثمرة
ب-2 حقيقي لأنه كان يجمع الثمار من الشجرة الموجودة في بستانه
ب-3 المعنى القريب غير المقصود : أظفار يد الطفل الصغير
المعنى البعيد المقصود : صغر السن
ب-4 المخر كالنمل يجمع ثمار ادخاره
ج -1 خطأ
خطأ
صح
خطأ
صح

ج-2 1-ما هو الادخار ؟
2- اذكر آية قرآنية تبين أهمية الادخار؟
3- ما أسباب الادخار ؟
4- بم يفيدك الادخار ؟
ولكم جزييييييييييييييل الشكر

انتهى وبتشوفون المزيد بس
اذا جفت الردوود ولا تنسون انكم اتقيموني

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حل درس المفعول فيه للصف السابع -التعليم الاماراتي

اطبق :
1-اشير بخط 2- اصنف
عند دل على المكان
بين دل على المكان
يوم دل على الزمان
وراءه دل على المكان
ليلا دل على الزمان
بعد دل على الزمان
3- ضع دائرة حول ((عند )) الدالة على مكان :
*ان الافاعي وان لانت ملامسها عند التقلب في انيابها العطب
*تعد ذنوبي عند قوم كثيرة ولا ذنب لي الا العلا والفضائل
4- اشير بخط الى المفعول فيه الدال على الزمان :
* وصل مروان قبل وائل .
*يقع بيتي قبل المنعطف الخطر .
*تبدل موقف صديقي بين ليله وضحاها .
*فبينهما وبين الارض بعد كما بين السعادة والشقاء .
*(سيجعل الله بعد عسر يسرا)
*بعد تلك الشجره بمترين ,تجد كنزا دفينا.
5-اعلل عدم اعراب الكلمات الداله على مكان او زمان مفعول فيه فيما يلي:
لان هده الكلمات لم يقع فيها فعل .
6-املا الفراغات بالمفعول فيه المناسبه :
* بعد * تحت * باكرا
* فوق * بعد * بين
7-اكمل اعراب الملمات التي تحتها خط :
*باكرا : مفعول فيه منصوب وعلامة نصبه الفتحه الظاهرة على اخره .
* وراء : مفعول فيه منصوب وعلامة نصبه الفتحه الظاهره على اخره.
8- اعرب ماتحته خط :

* قبل : مفعول فيه منصوب وعلامة نصبه الفتحة الظاهره على اخره .
*عند : مفعول فيه منصوب وعلامة نصبه الفتحه الظاهرة على اخره.
9- اعبر عن كل صورة بجمله تتضمن مفعول فيه :
*طارت الطائره صباحا.
* الورده بين الاعشاب .
*غاص الغواص تحت الماء .
* وصل الاعب قبل جميع الاعبين .

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ورقة عمل و شرح الفعل الصحيح والمعتل للصف السابع

السلام عليكم ورحمة الله وبركاته..

ينقسم الفعل من حيث نوع الحروف التي يتكون منها إلى قسمين :

أ ـ فعل صحيح . ب ـ فعل معتل .

أولاً ـ الفعل الصحيح :

تعريفه : هو كل فعل تخلو حروفه الأصلية من أحرف العلة ، وهي " الألف ـ الواو ـ الياء " .

مثل : جلس ، حضر ، كتب ، رفع ، قرأ ، أمر، سمع .

وينقسم الفعل الصحيح بدوره إلى ثلاثة أنواع :

1 ـ الصحيح السالم : وهو كل فعل خلت حروفه الأصلية من الهمزة والتضعيف .

مثل : جلس ، حضر ، رفع ، سمع .

2 ـ الصحيح المهموز : كل فعل كان أحد أصوله حرف همزة سواء أكانت في أول الفعل أم وسطه أم آخره .

مثل : أخذ ، أمر ، أذن ، أكل .

سأل ، سأم ، دأب ، جأر .

ملأ ، ذرأ ، قرأ ، لجأ .

3 ـ الصحيح المضعف ، وينقسم إلى نوعين :

أ _ المضعف الثلاثي : وهو ما كان عينه ولامه من جنس واحد " مكرراً " .

مثل : مدّ ، عدّ ، سدّ ، شدّ .

ب _ المضعف الرباعي : وهو ما كان حرفه الأول والثالث " فاؤه ولامه الأولى " من جنس واحد ، وحرفه الثاني والرابع " عينه ولامه الثانية " من جنس أيضاً .

مثل : زلزل ، وسوس ، لجلج ، ولول .

ثانياً ـ الفعل المعتل .

تعريفه : هو كل فعل كان أحد حروفه الأصلية حرفاً من حروف العلة .

مثل : وجد ، قال ، سعى .

وينقسم الفعل المعتل إلى أربعة أنواع :

1 ـ المثال : وهو ما كانت فاؤه " الحرف الأول " حرف علة .

مثل : وعد ، وجد ، ولد ، وسع ، يبس ، ينع ، يتم ، يئس .

ومما تجدر الإشارة إليه أن الفعل المعتل الأول بالواو يغلب على الفعل المعتل الأول بالياء ، وقد حصر بعض الصرفيين الأفعال المعتلة الأول بالياء فيما يقرب من أربعة وعشرين فعلاً بعضها قليل الاستعمال في اللغة وإليك بعضها للاستزادة .

يفع ، يقن ، يمن ، يسر ، يقظ ، يرق .

يتن بمعنى ولدت المرأة ولداً يتناً وهو المنكوس .

يهت بمعنى انتن ، مثل : انتن الجرح .

يقه بمعنى أطاع وأسرع .

يعر بمعنى أصاح ، تقول : يعرت الغنم .

يفخ بمعنى الضرب على اليافوخ ، تقول : ضربت يافوخه .

يمم بمعنى غرق في اليم .

يدع بمعنى صبغ .

يلل بمعنى قصر ، تقول : يلّت الأسنان أي قصرت .

يرر بمعنى صلب .

2 ـ الأجوف : وهو ما كانت عينه " الحرف الثاني " حرف علة .

مثل : قال ، باع ، نام ، صام .

3 ـ الناقص : وهو ما كانت لامه " الحرف الأخير " حرف علة .

مثل : رمى ، سعى ، دعا ، سما .

4 ـ اللفيف : وهو ما كان فيه حرفا علة ، وينقسم إلى نوعين :

أ ـ لفيف مقرون : وهو ما اجتمع فيه حرفا علة دون أن يفرق بينهما حرف آخر صحيح .

مثل : أوى ، شوى ، روى ، عوى ، لوى .

ب ـ لفيف مفروق : وهو ما كان فيه حرفا علة متجاورين بمعنى أن يفرق بينهما حرف صحيح .

مثل : وقى ، وعى ، وفى ، وشى ، وأى ، وخى ، وصَى ، ولى ، ونى ، وهى .

تنبيه وفوائد :

1 ـ لمعرفة الأفعال الصحيحة أو المعتلة المضارعة يجب الرجوع إلى الفعل الماضي .

مثل : يتعلّم : ماضيه علم ـ صحيح لأن أصوله على وزن " فعل " خلت من العلة . ينتهز : ماضيه نهز ـ صحيح لأن أصوله على وزن " فعل " خلت من العلة . يستعين : ماضيه عان ـ معتل لأن أصوله على وزن " فعل " معتل الوسط . يستقيم : ماضيه قام ـ معتل لأن أصوله على وزن " فعل " معتل الوسط .

2 ـ وكذلك عند معرفة الفعل أمجرداً هو أم مزيداً يجب رده إلى صورة الماضي ثم تجريده من حروف الزيادة بموجب الميزان الصرفي " ف ع ل " .

مثال : يتكسر : ماضيه تكسَّر ، وبمقابلته للميزان الصرفي " فعل " .

يكون الفعل ذو الحروف الأصول هو " كسر " .

يستلهم : ماضيه استلهم بمقابلته للميزان الصرفي " فعل " .

يكون الفعل ذو الحروف الأصول هو " لهم " وقس على ذلك .

منقول

م

الملفات المرفقة

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نص استماع اداب الزيارة للصف السابع

تفضلوا نص استماع لدرس اداب الزيارة

نص أداب الزيارة ..

الراوي : ( الشخصيات وضاح شاب في العقد الثاني ، الأب أبو وضاح ، الأم أم وضاح ، ميساء اخت وضاح في العقد الثاني ، راشد ابن عم وضاح وصديقه ، عاصم صديق لوضاح وراشد .
المسمع الأول :
وضاح : الحمدلله رب العالمين رضيت بالله ربا وبالاسلام دينا ومحمد صلى الله عليه وسلم نبيا ورسولا
السلام عليكم .
الأب : وعليكم السلام ورحمة الله ، هل صليت يا بني ؟
وضاح : نعم صليت ، والحمد لله .
الأب : بارك الله فيك يا بني ،والآن ماذا ستفعل ؟
وضاح : لقد اشتريت كتابا وسوف اقرأه ولكن بعد أن أعود .
الأب : تعود ! تعود من أين ؟
وضاح : من دار عمي ، فأنا انوي زيارة راشد ، فهل تأذن لي بالخروج ؟
الأب: لا مانع يا بني ، ولكن حاذر من السير في أشعة الشمس طويلا .
وضاح : اطمئن يا ابي .. فدار عمي قريبة من بيتنا .. والجو اليوم لطيف .
الأب : رافقتك السلامة يا بني .

المسمع الثاني :
الراوي ( وضاح يرن جرس دار عمه ولكن لم يتلق جوابا فيرجع الى داره )

المسمع الثالث :
بيت وضاح
وضاح : السلام عليكم .
افراد الاسرة : وعليكم السلام
الأب : أراك عدت مبكرا من بيت عمك ؟
وضاح : لأني لم أجد راشدا يا أبي .
الأب : لم تجد راشدا !!؟؟ ألم تكن على موعد مسبق معه ؟
وضاح : لا .. بل ذهبت اليه كما اعدت على غير موعد مسبق .
الأب : لو كنت أعلم لما سمحت لك بالخروج .
وضاح: وهل أخطأت يا أبي؟
الأب : نعم ،أخطأت . فأنت لا تعرف ظروفه وهو لا يعرف انك ستزوره .
وضاح : وماذا كان يجب علي أن أفعله ؟
الأم : تسأل عنه بالهاتف مثلا . ثم تأخذ منه موعدا . وذلك حفاظا على شعوره وحرصا على حريته لكي لا يتقيد بزيارة غير متوقعة .
ميساء : ولكن راشدا ابن عمنا يا أمي ولا يوجد أي مبرر لأن يفعل وضاح كل هذا كي يلقاه .
الأم : الاستئذان مطلوب مع كل من نعرفهم يا ميساء .
ميساء : فهمت يا أمي .
الأب: وضاح يا ولدي أنت مثلٌ للولد الذكي والعقل المدرك فحاذر أن تلق شخصا دون موعد مسبق.
وضاح : واذا جاءني صديق لي على غير توقع مني يا ابي؟
الأم : تستقبله طبعا ، ولكن يجب عليك أن تطلب منه ضرورة أن يخبرك في المرة القادمة قبل أن يحضر كي تستعد للقائه .
وضاح : فهمت يا أمي .
ميساء : أما أنا فأتبادل الزيارات مع صديقاتي دون قيد أو شرط .
الأب : وانت أيضا ينطبق عليك ما ينطبق على وضاح … ولكن استمعا الي جيدا .. سوف اشرح لكما بالتفصيل كل ما يمكن ان تستفيدا منه في آداب الزيارة قبل أن تخرج .
وضاح : تفضل يا أبي.

المسمع الرابع :
الراوي ( يصل راشد سيره الى دار عمه ابي وضاح يقف على الباب ويطرقه بشده )
وضاح : نعم من الطارق؟؟
راشد : السلام عليكم
وضاح : وعليكم السلام ورحمة الله .. ولماذا كل هذا الخبط على الباب يا راشد ؟؟
راشد : وأنت لماذا جعلتني انتظر كل هذه المدة يا وضاح ؟
وضاح : عفوا يا راشد .. فقد كنت راقدا لبعض الوقت .
راشد : وهل تنام بعد الظهر ؟؟
وضاح : نعم .. فقد اعتدت على ذلك .
راشد : ولماذا لم يفتح لي الباب أي شخص آخر ؟؟
وضاح : لأن الجميع كانوا نائمين مثلي .
راشد : حسنا .. هل ستذهب معي إلى الحديقة ؟
وضاح : سأدخل لأغير ملابسي واترك خبرا لأهلي .

المسمع الخامس :
وضاح : هذا منزل صديقنا عاصم .
راشد : نعم ، انه هو ، هيا اطرق الباب !
وضاح : لا .. لا .. لن افعل انا .
راشد : حسنا .. سأطرقه أنا .
وضاح : انتظر يا راشد ( وهو يمسك بيد راشد ) .
راشد :ماذا بك يا وضاح ؟ ولماذا تمسك بيدي هكذا ؟
وضاح: راشد اريد أن أرحل .
راشد : ترحل ! ترحل لماذا ؟
وضاح : لأني لا أحب لقاء أصدقائي بهذه الطريقة .
راشد : لا تقلق يا ابن عمي .. سأتحمل أنا عواقب كل شيء والآن هل تتركني لأطرق الباب ؟
وضاح : تفضل .
راشد : أمري إلى الله .
الراوي : ( راشد يطرق الباب بشدة وباستمرار )
وضاح : انتظر يا راشد .. انتظر يبدو أنه لا يوجد أحد في الدار هيا فلنرحل هيا .
راشد : لا .. لن أرحل حتى يجيبني من في الدار .
الراوي ( يعاود راشد طرق الباب بشدة )
وضاح : يا راشد .. يا راشد ..أعطي فرصة للرد .
راشد : هذا كلام خائب .. أتظنهم لا يسمعون ؟
الراوي ( راشد يتابع الطرق بشدة )
وضاح : يكفي .. راشد .. يكفي
عاصم : من يطرق الباب ؟
راشد : افتح يا عاصم .. أنا راشد
الراوي ( يفتح الباب )
عاصم : أهلا بالأصدقاء .. أهلا
وضاح : أهلا بك يا عاصم
الراوي ( يقاطع وضاح عاصما ويخطو داخل الباب )
عاصم : لحظة من فضلك يا راشد .. إلى أين أنت ذاهب ؟
راشد : إلى داخل بيتك طبعا !
عاصم : ولكن ..!!
راشد : ولكن ماذا يا عاصم ؟
عاصم : أنا مشغول بعض الشيء
راشد : مشغول ؟ مشغول ! مشغول بماذا ؟
عاصم : إن لدينا بعض الأقارب جاؤوا لزيارتنا وهم يجلسون مع كل أفراد أسرتي في الداخل .
راشد : حسنا .. هكذا ؟
عاصم : في الحقيقة أنا لا أعرف ماذا أقول لكم ؟
وضاح : لا تقل شيئا يا عاصم .. فنحن المخطئان .
عاصم: يمكنكما الحضور بعد نصف ساعة .. فأقاربي على وشك الانصراف .
وضاح : حسنا .. لا بأس يا عاصم .
عاصم : مع السلامة .. سأنتظركما .
وضاح : يا بنا يا راشد .. هيا فلنرحل الآن .
راشد : نرحل ؟ إلى أين ؟ لعد أن عكر عاصم صفو سرورنا .
وضاح : إلى بيتنا فأنا أريد التحدث إليك في أمر هام .. هيا بنا .
راشد : هيا .

المسمع السادس:
الراوي ( راشد ووضاح يدخلان إلى غرفة الضيوف في بيت وضاح حيث والد وضاح )
راشد : السلام عليكم .
الأب : وعليكم السلام ورحمة الله وبركاته.. كيف حالك يا ابن أخي ؟ كيف حال أبيك ؟
راشد : نحن جميعا بخير والحمد لله .
الأب : مالي أراك غاضبا يا راشد .. هل أغضبته يا وضاح ؟
وضاح : لا يا ابي .. أنه غاضبا من صديقنا عاصم لأنه استقبلنا استقبالا لم يعجب راشد ورحلنا دون أن ندخل داره .
الأب : وهل راعيتما أصول الزيارة قبل أن تذهبا إليه؟
وضاح : في الحقيقة .. لا يا ابي لقد كانت زيارتنا له زيارة مفاجئة .
الأب : إذا هذا هو السبب . على أية حال اجلس مع راشد واشرح له ما أخبرتك به عن آداب الزيارة .
وضاح : حاضر يا أبي .
الأب : بارك الله فيك .
الراوي : ( يخرج الأب)
وضاح : تفضل يا راشد ( يجلسان على الأريكة .. يتنهد راشد )
راشد : ما كنت أتصور أن يقابلنا عاصم بهذه الطريقة يوما ما .
وضاح : عاصم لم يخطئ يا راشد .
الراوي ( يقف راشد .. ثم وضاح )
راشد : كيف تقول هذا وقد حدث معك ما حدث معي من الحرج .. ابهذه الطريقة تستهين بما حدث ؟
وضاح : هدئ من روعك يا راشد ؟ دعنا نتناقش ؟
راشد : حسنا .. ماذا تريد ان تقول ؟
وضاح : كان يجب علينا أن نتأكد أن عاصما ليس مشغولا بدلا من أن نقف أمامه ذلك الموقف الحرج .
راشد : لا بأس .. والآن أخبرني عما نتحدث ؟
وضاح : عن عاصم طبعا !
راشد : إذا فنحن لا نتحدث عن مخترع كبير أو رجل أعمال مهم أو صاحب منصب حساس .
وضاح : لا تكن ناقما على الفتى هكذا يا راشد انه انسان له ظروفه وله عاداته .
راشد : أتريدنا أن نستأذن صديقا لنزوره يا وضاح ؟
وضاح : نعم .. ولم لا ؟ فالاستئذان مطلوب حتى من اقرب الأقارب فقد سال رجل رسول الله صلى الله عليه وسلم .
راشد : عليه الصلاة والسلام .
وضاح : وقال له : أستأذن على أمي يا رسول الله ؟ فقال عليه الصلاة والسلام : نعم .
راشد : فعلا يبدو أنني أخطأت .
وضاح : وأنا أيضا أخطأت مثلك .
راشد : كيف ؟
وضاح : لأنني وافقت على السير معك إلى مكان لا أعلمه ولم تخبرني به إلا بعد وصولنا إليه ولأنني أيضا أعلم بأن للزيارة وقتا معينا وليس في كل وقت يزور الناس بعضهم .
راشد : وما هي الأوقات غير مناسبة للزيارة إذا ؟
وضاح : ألا تزور شخصا في الصباح الباكر لأنه قد يكون نائما ، وألا تزوره وقت القيلولة بعد وقت الغداء فهذا وقت الراحة ، وألا تزوره من بعد صلاة العشاء لاحتمال نومه.
راشد : وإن زرت شخصا وكنت على موعد معه ولم أجده فما العمل؟
وضاح : إذا فلا بد وأن ظرفا طارئا ألم به .. وجعله يخلف موعدك ففي هذه الحالة لا تغضب منه حتى تعرف ظروفه وعليك أن ترحل تاركا خبر بخصوصك في الموعد المحدد .
راشد : وبعد يا ابن عمي ؟
وضاح : إذا كنت ذاهبا للقاء شخص فلا تأخذ أحدا معك دون علم الشخص الذي ستزوره فربما كانت هناك أسرار يريد أن يفضي لك بها لا يريد للشخص الآخر أن يعرفها وفي تلك الحالة ستسبب له الحرج الشديد .
راشد : فهمت .. ولكن قل لي ماذا أقول عندما ادخل بيت من ازور ؟
وضاح : هذا ما سأخبرك به الآن .. انتظر لحظة ؟
راشد : كيف ؟
وضاح : ستعرف الآن .
الراوي ( يجلس وضاح ويمسك الهاتف ويتصل بعاصم )
وضاح : السلام عليكم يا عاصم .. أنا وضاح .
عاصم : أهلا ومرحبا بك .
وضاح : هل انصرف اقربائك ؟
عاصم : نعم .
وضاح : إذا فنحن قادمان إليك .. حسنا .. حسنا مع السلامة .
الراوي ( يغلق الهاتف )
وضاح : أرأيت ؟؟ عاصم في انتظارنا .
راشد : هيا بنا .
وضاح : هيا .

المسمع السابع :
وضاح : والأن يا راشد .. هذه دار صديقنا عاصم .
راشد : ماذا سنفعل الآن ؟
وضاح : الآن ندق الباب بلطف .
الراوي ( راشد يدق الباب )
راشد : دققنا الباب بلطف وبعد ؟
وضاح : والأن يجب علينا أن نقف بجانب الباب يمينا او يسارا حتى لا ينكشف لنا من بداخل داره إذا فتح لنا الباب .. قف وظهرك إلى الباب وكن مواجها لي .
راشد : هل هذه الوقفة جيدة ؟
وضاح : نعم .. جيدة والآن يجب علينا أن ننتظر قليلا فإن لم يفتح لنا الباب نطرقه مره ثانية .
راشد : وإن لم يفتح بعد الطرقة الثانية ؟
وضاح : ننصرف .
الراوي ( راشد يدق الباب ثانية )
عاصم : من الطارق ؟
وضاح : اخبره باسمك ؟
راشد : أنا راشد .
وضاح : وأنا وضاح .
الراوي ( عاصم يفتح الباب )
عاصم : أهلا .. أهلا مرحبا بالصديقين الحبيبين .
وضاح : أهلا بك .
عاصم : تفضلا .. تفضلا
وضاح : والآن يا راشد ألق السلام مع أول خطوة ثم ادخل بيمينك ؟
راشد : ( وهو يخطو ) السلام عليكم .
عاصم : وعليكم السلام .. تفضلا .. الدار داركما .. ونحن أهلكما .
وضاح : شكرا يا عاصم .
عاصم : تفضلا .
الراوي : ( يغلق الباب بعد دخولهما )

المسمع الثامن
الراوي : ( وضاح يدخل على أبيه وهو على أريكته في داره )
وضاح : السلام عليكم .
الأب : وعليكم السلام .. وضاح .. تعال .. اجلس ؟
وضاح : حاضر يا أبي .
الأب : أين كنت ؟
وضاح : مع راشدا عند صديقنا عاصم .
الأب : وهل علمتك أن تخرج دون اذن ؟
وضاح : اعتذر يا أبي .. فأنا لم أقصد ذلك .. لقد أربكني ما حدث مع راشد حتى انساني أن أستأذن منك قبل الخروج .
الأب : لا بأس ، ولكن في المرة القادمة يجب أن تنتبه لمثل هذه الأشياء فلقد اقلقني خروجك المفاجئ وجعلني مشغول عليك .
وضاح : اعتذر مرة أخرى يا أبي .
الأب: حسنا .. والآن قل لي هل اخبرت راشدا بما علمتك ؟
وضاح : أجل يا أبي .. ولقد سر كثيرا بما تعلم .
الأب : جميل .
وضاح : أتدري ما قاله لي عندما أراد أن يرحل إلى بيت أبيه يا أبي؟
الأب: ماذا قال ؟
وضاح : قال لي حذار يا وضاح عندما تريد أن تزورني عليك أن تأخذ مني موعدا مسبقا.
الأب: ( يضحك ) يعجبني فيك يا وضاح أنك سريع التعلم ولا تنسى ما تعلمته أبدا .
وضاح : شكرا لك يا أبي .. والآن أستأذنك بعض الوقت .
الأب : إلى اين ؟
وضاح : إلى غرفتي لأدون بعض مذكراتي واسجل فيها ما حدث اليوم .
الأب: حسنا .. افعل ما تشاء .

المسمع التاسع :
الراوي ( يتجه وضاح إلى غرفته ويجلس خلف مكتبه ويستمع )
أعوذ بالله من الشيطان الرجيم ( يا أيها الذين آمنوا لا تدخلوا بيوتا غير بيوتكم حتى تستأنسوا وتسلموا على أهلها ذلكم خير لكم لعلكم تذكرون )
وضاح : فلأضيء المصباح وأبدأ بتدوين مذكراتي .. اليوم حضر راشد إلى بيتنا وكنا جميعا راقدين وقت القيلولة وقد أزعجنا بكثرة طرقه على الباب وقد شرح لي والدي آداب الزيارة في الاسلام .

لقراءة ردود و اجابات الأعضاء على هذا الموضوع اضغط هناسبحان الله و بحمده

التصنيفات
الصف السابع

أوراق عمل للصف السابع الفصل الثالث للعام الدراسي 2022/2022 للصف السابع

مادة اللغة العربية

أوراق عمل للصف السابع الفصل الثالث للعام الدراسي 2022/2015

للتحميل كامل و مرتب في المرفقات

ضع خطاً تحت الجواب الصحيح مما يلي :
صاحب هذه القصيدة هو الشاعر : المتنبي – أبو فراس الحمداني – لسان الدين بن الخطيب
موضوع القصيدة هو : الحنين إلى زمان الوصل في الأندلس – رثاء صديق – تهديد العدو
في البيت التاسع كلمتين متضادتين استخرجهما :
الكلمتان هما : ……………….. و ………………..
في البيت الخامس ثلاث كلمات تدل على الروض استخرجها منه :
الكلمات هي : …………………. و …………………. و ………………….

ماذا عمل الفارسي عند بني قريظة ؟

استخرج مما يلي : ) طوقه بذراعيه وأخذ يقبله، ثم قال بصوت خفيض(:
– مرادفا ل : بدأ :
– ضداً ل : مرتفع :
صل الفعل بمعناه المناسب :
انكفأ عن فلان رجع
انكفأ إلى البيت انصرف
لماذا تحمل الفارسي كل العذابات، من غربة وسفر وعبودية ؟
املأ الفراغ بالكلمة المناسبة :
– جادك ………. إذا الغيث همى يا زمان …………. ……..بالأندلس

الملفات المرفقة

لقراءة ردود و اجابات الأعضاء على هذا الموضوع اضغط هناسبحان الله و بحمده

التصنيفات
الصف السابع

ورقة عمل امتحان السابع الفصل الثاني …….. تفضلوا……. للصف السابع

بسم الله الرحمن الرحيم :
هذه الاوراق من عمل الطالب : عمر شامل وان شاء الله تكن من حسن ضنكم
ومعهم برنامج يساعد على النطق فتفضلواااااااااااااااااااااااااااااااااا:
جديدددددددددددددددددددددددددددددد.

الملفات المرفقة

لقراءة ردود و اجابات الأعضاء على هذا الموضوع اضغط هناسبحان الله و بحمده

التصنيفات
الصف السابع

تقرير وحدة السابعة Volleyball الصف السابع الامارات للصف السابع

تقرير وحدة السابعة Volleyball الصف السابع الامارات بحث , بحوث , موضوع مواضيع الفصل الدراسي الثاني منهج الجديد المطور . كامل
__________________________________________

Volleyball

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This article is about the indoor sport with six players per team. For the outdoor version, see Beach volleyball.
For the ball used in this sport, see Volleyball (ball).
For the NES game, see Volleyball (video game).
Volleyball

Typical volleyball action
Highest governing body FIVB
First played 1895, Holyoke, Massachusetts (USA)
Characteristics
Contact No Contact
Team Members 6
Mixed Gender Single
Category Indoor
Ball Volleyball
Olympic 1964
Volleyball is an Olympic team sport in which two teams of six active players, separated by a high net, each try to score points against one another by grounding a ball on the other team’s court under organized rules.[1]

The complete rules of volleyball are extensive, but in general, play proceeds as follows: Points are scored by grounding the ball on the opponents’ court, or when the opponent commits a fault. The first team to reach 25 points wins the set and the first team to win three sets wins the match.[2] Teams can contact the ball no more than three times before the ball crosses the net, and consecutive contacts must be made by different players. The ball is usually played with the hands or arms, but players can legally strike or push (short contact) the ball with any part of the body. Spiking the ball is easy to hit and has a fair advantage that the other team will not be able to hit it.

Through time, volleyball has developed to involve common techniques of spiking, passing, blocking, and setting, as well as specialised player positions and offensive and defensive structures. Because many plays are made above the top of the net, vertical jumping is an athletic skill emphasised in volleyball. This article focuses on competitive indoor volleyball, which is carefully regulated and played indoors. Numerous variations of volleyball have developed for casual play, as has the Olympic spin-off sport beach volleyball.

History of volleyball

Origin of volleyball
On February 9, 1895, in Holyoke, Massachusetts (USA), William G. Morgan, a YMCA physical education director, created a new game called Mintonette as a pastime to be played preferably indoors and by any number of players. The game took some of its characteristics from tennis and handball. Another indoor sport, basketball, was catching on in the area, having been invented just ten miles (sixteen kilometers) away in the city of Springfield, Massachusetts, only four years before. Mintonette (as volleyball was then known) was designed to be an indoor sport less rough than basketball for older members of the YMCA, while still requiring a bit of athletic effort.

The first rules, written down by William G. Morgan, called for a net 6 ft 6 in (1.98 m) high, a 25×50 ft² (7.6×15.2 m²) court, and any number of players. A match was composed of nine innings with three serves for each team in each inning, and no limit to the number of ball contacts for each team before sending the ball to the opponents’ court. In case of a serving error, a second try was allowed. Hitting the ball into the net was considered a foul (with loss of the point or a side-out)—except in the case of the first-try serve.

After an observer, Alfred Halstead, noticed the volleying nature of the game at its first exhibition match in 1896, played at the International YMCA Training School (now called Springfield College), the game quickly became known as volleyball (it was originally spelled as two words: "volley ball"). Volleyball rules were slightly modified by the International YMCA Training School and the game spread around the country to various YMCAs.[3][4]

Refinements and later developments
The first official ball used in volleyball is disputed; some sources say that Spalding created the first official ball in 1896, while others claim it was created in 1900.[5][6][7] The rules have evolved over time; by 1916, the skill and power of the set and spike had been introduced, and four years later a "three hits" rule and back row hitting guidelines were established. In 1917, the game was changed from 21 to 15 points. In 1919, about 16,000 volleyballs were distributed by the American Expeditionary Forces to their troops and allies, which sparked the growth of volleyball in new countries.[5]

The first country outside the United States to adopt volleyball was Canada in 1900.[5] An international federation, the Fédération Internationale de Volleyball (FIVB), was founded in 1947, and the first World Championships were held in 1949 for men and 1952 for women.[8] The sport is now popular in Brazil, in Europe (where especially Italy, the Netherlands, and countries from Eastern Europe have been major forces since the late 1980s), in Russia, and in other countries including China and the rest of Asia, as well in as the United States.[8][4][3]

Beach volleyball, a variation of the game played on sand and with only two players per team, became a FIVB-endorsed variation in 1987 and was added to the Olympic program at the 1996 Summer Olympics.[5][8]

Volleyball in the Olympics
Main article: Volleyball at the Summer Olympics
The history of Olympic volleyball can be traced back to the 1924 Summer Olympics in Paris, where volleyball was played as part of an American sports demonstration event.[9] After the foundation of FIVB and some continental confederations, it began to be considered for official inclusion. In 1957, a special tournament was held at the 53rd IOC session in Sofia, Bulgaria to support such request. The competition was a success, and the sport was officially included in the program for the 1964 Summer Olympics.[5]

The Olympic volleyball tournament was originally a simple competition, whose format paralleled the one still employed in the World Cup: all teams played against each other team and then were ranked by wins, set average, and point average. One disadvantage of this round-robin system is that medal winners could be determined before the end of the games, making the audience lose interest in the outcome of the remaining matches. To cope with this situation, the competition was split into two phases with the addition of a "final round" elimination tournament consisting of quarterfinals, semifinals, and finals matches in 1972. The number of teams involved in the Olympic tournament has grown steadily since 1964. Since 1996, both men’s and women’s events count twelve participant nations. Each of the five continental volleyball confederations has at least one affiliated national federation involved in the Olympic Games.

The U.S.S.R. won men’s gold in both 1964 and 1968. After taking bronze in 1964 and silver in 1968, Japan finally won the gold for men’s volleyball in 1972. Women’s gold went to Japan in 1964 and again in 1976. That year, the introduction of a new offensive skill, the backrow attack, allowed Poland to win the men’s competition over the Soviets in a very tight five-set match. Since the strongest teams in men’s volleyball at the time belonged to the Eastern Bloc, the American-led boycott of the 1980 Summer Olympics did not have as great an effect on these events as it had on the women’s. The U.S.S.R. collected their third Olympic Gold Medal in men’s volleyball with a 3-1 victory over Bulgaria (the Soviet women won that year as well, their third gold as well). With the U.S.S.R. boycotting the 1984 Olympic Games in Los Angeles, the U.S. was able to sweep Brazil in the finals for the men’s gold medal. Italy won its first medal (bronze in the men’s competition) in 1984, foreshadowing a rise in prominence for their volleyball teams.

At the 1988 Games, Karch Kiraly and Steve Timmons led the U.S. men’s team to a second straight gold medal. In 1992, underrated Brazil upset favourites C.I.S., Netherlands, and Italy in the men’s competition for the country’s first Olympic gold medal. Runner-up Netherlands, men’s silver medalist in 1992, came back under team leaders Ron Zwerver and Olof van der Meulen in the 1996 Games for a five-set win over Italy. A men’s bronze medalist in 1996, Serbia and Montenegro (playing in 1996 and 2022 as the Federal Republic of Yugoslavia) beat Russia in the gold medal match in 2022, winning their first gold medal ever. In 2022, Brazil won its second men’s volleyball gold medal beating Italy in the finals.

See also: Volleyball in the United States and Volleyball in Canada

Rules of the game

Volleyball court
The court
The game is played on a volleyball court 18 meters long and 9 meters wide, divided into two 9×9 m² halves by a one-meter wide net placed so that the top of the net is 2.43 meters above the center of the court for men’s competition, and 2.24 meters for women’s competition (these heights are varied for veterans and junior competitions).

There is a line 3 meters from and parallel to the net in each team court which is considered the "attack line". This "3 meter" (or 10 foot) line divides the court into "back row" and "front row" areas (also back court and front court). These are in turn divided into 3 areas each: these are numbered as follows, starting from area "1", which is the position of the serving player:

After a team gains the serve (also known as siding out), its members must rotate in a clockwise direction, with the player previously in area "2" moving to area "1" and so on, with the player from area "1" moving to area "6" (see also the Errors and faults section).

The team courts are surrounded by an area called the free zone which is a minimum of 3 meters wide and which the players may enter and play within after the service of the ball.[10] All lines denoting the boundaries of the team court and the attack zone are drawn or painted within the dimensions of the area and are therefore a part of the court or zone. If a ball comes in contact with the line, the ball is considered to be "in". An antenna is placed on each side of the net perpendicular to the sideline and is a vertical extension of the side boundary of the court. A ball passing over the net must pass completely between the antennae (or their theoretical extensions to the ceiling) without contacting them.

The ball
Main article: Volleyball (ball)
The volleyball is made of leather or synthetic leather and inflated with compressed air. According to FIVB regulations:

Its circumference is 65–67 cm and its weight is 260–280 g.
Its inside pressure shall be 0.30–0.325 kg/cm2 (4.26–4.61 psi, 294.3–318.82 mbar or hPa).[11]

Game play
Each team consists of six players. To get play started, a team is chosen to serve by coin toss. A player from the serving team (the server) throws the ball into the air and attempts to hit the ball so it passes over the net on a course such that it will land in the opposing team’s court (the serve). The opposing team must use a combination of no more than three contacts with the volleyball to return the ball to the opponent’s side of the net. These contacts usually consist first of the bump or pass so that the ball’s trajectory is aimed towards the player designated as the setter; second of the set (usually an over-hand pass using wrists to push finger-tips at the ball) by the setter so that the ball’s trajectory is aimed towards a spot where one of the players designated as an attacker can hit it, and third by the attacker who spikes (jumping, raising one arm above the head and hitting the ball so it will move quickly down to the ground on the opponent’s court) to return the ball over the net. The team with possession of the ball that is trying to attack the ball as described is said to be on offense.

The team on defense attempts to prevent the attacker from directing the ball into their court: players at the net jump and reach above the top (and if possible, across the plane) of the net in order to block the attacked ball. If the ball is hit around, above, or through the block, the defensive players arranged in the rest of the court attempt to control the ball with a dig (usually a fore-arm pass of a hard-driven ball). After a successful dig, the team transitions to offense.

The game continues in this manner, rallying back and forth, until the ball touches the court within the boundaries or until an error is made.

Errors and faults
The ball lands out of the court, in the same court as the team that touched it last, under the net to the opposing team’s court, or the ball touches the net "antennas." The ball also may not pass over or outside the antennas even if it lands in the opponents’ court.1
The ball is touched more than three times before being returned to the other team’s court.2
The same player touches the ball twice in succession.3
A player "lifts" or "carries" the ball (the ball remains in contact with the player’s body for too long).
A player touches the net with any part of his or her body or clothing while making a play on the ball (with the exception of the hair).
The players of one team do not manage to touch the ball before the ball lands in their half of the court.
A back-row player spikes the ball while it is completely above the top of the net, unless he or she jumped from behind the attack line (the player is, however, allowed to land in front of the attack line).
A back-row player participates in a completed block of the opposing team’s attack (completed means at least one blocker touched the ball).
The libero, a defensive player who can only play in the back row, attempts a block or makes an "attacking hit", defined as any shot struck while the ball is entirely above the top of the net.
A player completes an attack hit from higher than the top of the net when the ball is coming from an overhand finger pass (set) by a libero in the front zone.
A player is not in the correct position at the moment of serve, or serves out of turn. This type of foul is related to the position currently occupied by the players (see the table in the Equipment section). When ball is served, players can place themselves freely on the field (e.g. a "back-row" player can be close to the net) so long as they obey the following rules: The area "1" player must be behind the area "2" player and to the right of the area "6" player. The area "6" player must be behind area "3" player, to the left of area "1" player and to the right of area "5". The area "5" player must be behind the area "4" player and to the left of the area "6" player. Symmetric rules must be respected by the front-row players (those in areas "2", "3" and "4"). The penalty for being out of rotation is an automatic service ace if the opposing team is serving, and if it’s on the serving team sides, it’s an automatic turnover.
When hitting, a player makes contact with the ball in the space above the opponent’s court (in blocking an attack hit, this is allowed).
A player touches the opponent’s court with any part of his or her body except the feet or hands.4
When serving, a player steps on the court or the end line before making contact with the ball.
A player takes more than 8 seconds to serve.[12]
At the moment of serve, one or more players jump, raise their arms or stand together at the net in an attempt to block the sight of the ball from the opponent (screening).5
A player blocks the serve or attacks the serve when the ball is in the front zone and above the top of the net.
There is a physical fight between players, whether an opponent or on the same team
Notes:

1 If the ball passes outside the antennas on the first contact for the team, e.g. as the result of a bad pass or dig, a player is allowed to go after the ball as long as he or she does not touch the opponent’s court and the ball travels back to his or her team’s court also outside the antennas.
2 Except if a player blocks (touches a ball sent over the net by the opposing team, while reaching above the top of the net) a ball that stays in the blocker’s side of the net. In such an instance the blocker may play the ball another time without violating the rule against playing the ball twice in succession. If the ball is touched during a block, that contact is not considered one of the team’s three contacts.
3 At the first hit of the team, the ball may contact various parts of the body consecutively provided that the contacts occur during one action. Also, when a player touches the ball on a block, he or she may make another play on the ball.
4 Penetration under the net with hands or feet is allowed only if a portion of the penetrating hands or feet remains in contact with or directly above the player’s court or center line.[13]
5 Screening is only a fault if the players stand directly next to each other in a way that clearly impedes vision, and the serve is a low line drive over their heads. (This is a judgment call by the referee. Teams are generally given a warning before being sanctioned for screening.)

Scoring
When the ball contacts the floor within the court boundaries or an error is made, the team that did not make the error is awarded a point, whether they served the ball or not. The team that won the point serves for the next point. If the team that won the point served in the previous point, the same player serves again. If the team that won the point did not serve the previous point, the players of the team rotate their position on the court in a clockwise manner. The game continues, with the first team to score 25 points (and be two points ahead) awarded the set. Matches are best-of-five sets and the fifth set (if necessary) is usually played to 15 points. (Scoring differs between leagues, tournaments, and levels; high schools sometimes play best-of-three to 30; in the NCAA games are played best-of-five to 25.[14])

Before 1999, points could be scored only when a team had the serve (side-out scoring) and all sets went up to only 15 points. The FIVB changed the rules in 1999 (with the changes being compulsory in 2022) to use the current scoring system (formerly known as rally point system), primarily to make the length of the match more predictable and to make the game more spectator- and television-friendly.

The Libero
In 1998 the libero player was introduced internationally, the term meaning free in Italian is pronounced LEE-beh-ro (rather than lih-BEAR-oh); the NCAA introduced the libero in 2022.[15] The libero is a player specialized in defensive skills: the libero must wear a contrasting jersey color from his or her teammates and cannot block or attack the ball when it is entirely above net height. When the ball is not in play, the libero can replace any back-row player, without prior notice to the officials. This replacement does not count against the substitution limit each team is allowed per set, although the libero may be replaced only by the player whom they replaced. The libero may function as a setter only under certain restrictions. If she/he makes an overhand set, she/he must be standing behind (and not stepping on) the 3-meter line; otherwise, the ball cannot be attacked above the net in front of the 3-meter line. An underhand pass is allowed from any part of the court.

The libero is, generally, the most skilled defensive player on the team. There is also a libero tracking sheet, where the referees or officiating team must keep track of who the libero subs in and out for. There may only be one libero per set (game), although there may be a different libero in the beginning of any new set (game).

Furthermore, a libero is not allowed to serve, according to international rules, with the exception of the NCAA women’s volleyball games, where a 2022 rule change allows the libero to serve, but only in a specific rotation. That is, the libero can only serve for one person, not for all of the people for whom she goes in. That rule change was also applied to high school play soon after.

Recent rule changes
Other rule changes enacted in 2022 include allowing serves in which the ball touches the net, as long as it goes over the net into the opponents’ court. Also, the service area was expanded to allow players to serve from anywhere behind the end line but still within the theoretical extension of the sidelines. Other changes were made to lighten up calls on faults for carries and double-touches, such as allowing multiple contacts by a single player ("double-hits") on a team’s first contact provided that they are a part of a single play on the ball.
On February 28, 2022, the NCAA changed collegiate scoring from 30 to 25. If the match goes to 5 games, the required score would still be 15 to win. In addition, the word "game" will now be referred to as "set".[1]

Skills
Competitive teams master six basic skills: serve, pass, set, attack, block and dig. Each of these skills comprises a number of specific techniques that have been introduced over the years and are now considered standard practice in high-level volleyball.

Serve

Setting up for an overhand serve.
A man making a jump serve.
A woman making a forearm pass or bump.A player stands behind the endline and serves the ball, in an attempt to drive it into the opponent’s court. His or her main objective is to make it land inside the court; it is also desirable to set the ball’s direction, speed and acceleration so that it becomes difficult for the receiver to handle it properly. A serve is called an "ace" when the ball lands directly onto the court or travels outside the court after being touched by an opponent.

In contemporary volleyball, many types of serves are employed:

Underhand and Overhand Serve: refers to whether the player strikes the ball from below, at waist level, or first tosses the ball in the air and then hits it above shoulder level. Underhand serve is considered very easy to receive and is rarely employed in high-level competitions.
Sky Ball Serve: a specific type of underhand serve occasionally used in beach volleyball, where the ball is hit so high it comes down almost in a straight line. This serve was invented and employed almost exclusively by the Brazilian team in the early 1980s and is now considered outdated.
Line and Cross-Court Serve: refers to whether the ball flies in a straight trajectory parallel to the side lines, or crosses through the court in an angle.
Top Spin: an overhand serve where the ball gains topspin through wrist snapping. This spin causes the ball to drop fast.
Floater: an overhand serve where the ball is hit with no spin so that its path becomes unpredictable. This type of serve can be administered while jumping or standing. This is akin to a knuckleball in baseball.
Jump Serve: an overhand serve where the ball is first tossed high in the air, then the player makes a timed approach and jumps to make contact with the ball. There is usually much topspin imparted on the ball. This is the most popular serve amongst college and professional teams.
Jump Float: This is a serve like the jump serve and the floater. The ball is tossed lower than a topspin jump serve, but contact is still made while in the air. This serve is becoming more popular amongst college and professional players because it has a certain unpredictability in its flight pattern.
Round-House Serve: the player stands with one shoulder facing the net, tosses the ball high and hits it with a fast circular movement of the arm. The ball is hit with the palm of the hand, creating a lot of topspin.
Hybrid Serve: An overhand serve delivered similarly to a top spin serve; however, it has more pace than a floater, but has a similar unpredictable path.

Pass
Also called reception, the pass is the attempt by a team to properly handle the opponent’s serve, or any form of attack. Proper handling includes not only preventing the ball from touching the court, but also making it reach the position where the setter is standing quickly and precisely.

The skill of passing involves fundamentally two specific techniques: underarm pass, or bump, where the ball touches the inside part of the joined forearms or platform, at waist line; and overhand pass, where it is handled with the fingertips, like a set, above the head.

Set
The set is usually the second contact that a team makes with the ball. The main goal of setting is to put the ball in the air in such a way that it can be driven by an attack into the opponent’s court. The setter coordinates the offensive movements of a team, and is the player who ultimately decides which player will actually attack the ball.

As with passing, one may distinguish between an overhand and a bump set. Since the former allows for more control over the speed and direction of the ball, the bump is used only when the ball is so low it cannot be properly handled with fingertips, or in beach volleyball where rules regulating overhand setting are more stringent. In the case of a set, one also speaks of a front or back set, meaning whether the ball is passed in the direction the setter is facing or behind the setter. There is also a jump set that is used when the ball is too close to the net. In this case the setter usually jumps off his or her right foot straight up to avoid going into the net. The setter usually stands about ⅔ of the way from the left to the right of the net and faces the left (the larger portion of net that he or she can see).

Sometimes a setter refrains from raising the ball for a teammate to perform an attack and tries to play it directly onto the opponent’s court. This movement is called a "dump".[16] The most common dumps are to ‘throw’ the ball behind the setter or in front of the setter to zones 2 and 4. More experienced setters toss the ball into the deep corners or spike the ball on the second hit.

Attack

An attack in progressThe attack (or spike, the slang term) is usually the third contact a team makes with the ball. The object of attacking is to handle the ball so that it lands on the opponent’s court and cannot be defended. A player makes a series of steps (the "approach"), jumps, and swings at the ball.

Ideally the contact with the ball is made at the apex of the hitter’s jump. At the moment of contact, the hitter’s arm is fully extended above his or her head and slightly forward, making the highest possible contact while maintaining the ability to deliver a powerful hit. The hitter uses arm swing, wrist snap, and a rapid forward contraction of the entire body to drive the ball. A ‘bounce’ is a slang term for a very hard/loud spike that follows an almost straight trajectory steeply downward into the opponent’s court and bounces very high into the air.

Contemporary volleyball comprises a number of attacking techniques:

Backcourt (or backrow)/pipe attack: an attack performed by a back row player. The player must jump from behind the 3-meter line before making contact with the ball, but may land in front of the 3-meter line.
Line and Cross-court Shot: refers to whether the ball flies in a straight trajectory parallel to the side lines, or crosses through the court in an angle. A cross-court shot with a very pronounced angle, resulting in the ball landing near the 3-meter line, is called a cut shot.
Dip/Dink/Tip/Cheat: the player does not try to make a hit, but touches the ball lightly, so that it lands on an area of the opponent’s court that is not being covered by the defense.
Tool/Wipe/Block-abuse: the player does not try to make a hard spike, but hits the ball so that it touches the opponent’s block and then bounces off-court.
Off-speed hit: the player does not hit the ball hard, reducing its acceleration and thus confusing the opponent’s defense.
Quick hit/"One": an attack (usually by the middle blocker) where the approach and jump begin before the setter contacts the ball. The set (called a "quick set") is placed only slightly above the net and the ball is struck by the hitter almost immediately after leaving the setter’s hands. Quick attacks are often effective because they isolate the middle blocker to be the only blocker on the hit.
Slide: a variation of the quick hit that uses a low back set. The middle hitter steps around the setter and hits from behind him or her.
Double quick hit/"Stack"/"Tandem": a variation of quick hit where two hitters, one in front and one behind the setter or both in front of the setter, jump to perform a quick hit at the same time. It can be used to deceive opposite blockers and free a fourth hitter attacking from backcourt, maybe without block at all.

Block

3 players performing a blockBlocking refers to the actions taken by players standing at the net to stop or alter an opponent’s attack.

A block that is aimed at completely stopping an attack, thus making the ball remain in the opponent’s court, is called offensive. A well-executed offensive block is performed by jumping and reaching to penetrate with one’s arms and hands over the net and into the opponent’s area. The jump should be timed so as to intercept the ball’s trajectory prior to it crossing over the net. Palms are held deflected downward about 45-60 degrees toward the interior of the opponents court. A "roof" is a spectacular offensive block that redirects the power and speed of the attack straight down to the attacker’s floor, as if the attacker hit the ball into the underside of a peaked house roof.

By contrast, it is called a defensive, or "soft" block if the goal is to control and deflect the hard-driven ball up so that it slows down and becomes more easy to be defended. A well-executed soft-block is performed by jumping and placing one’s hands above the net with no penetration into the opponent’s court and with the palms up and fingers pointing backward.

Blocking is also classified according to the number of players involved. Thus, one may speak of single (or solo), double, or triple block.

Successful blocking does not always result in a "roof" and many times does not even touch the ball. While it’s obvious that a block was a success when the attacker is roofed, a block that consistently forces the attacker away from his or her ‘power’ or preferred attack into a more easily controlled shot by the defense is also a highly successful block.

At the same time, the block position influences the positions where other defenders place themselves while opponent hitters are spiking.

Dig

Woman going for a dig.Digging is the ability to prevent the ball from touching one’s court after a spike, particularly a ball that is nearly touching the ground. In many aspects, this skill is similar to passing, or bumping: overhand dig and bump are also used to distinguish between defensive actions taken with fingertips or with joined arms.

Some specific techniques are more common in digging than in passing. A player may sometimes perform a "dive", i.e., throw his or her body in the air with a forward movement in an attempt to save the ball, and land on his or her chest. When the player also slides his or her hand under a ball that is almost touching the court, this is called a "pancake".

Sometimes a player may also be forced to drop his or her body quickly to the floor in order to save the ball. In this situation, the player makes use of a specific rolling technique to minimize the chances of injuries.

Coaching

Basic principles
Coaching for volleyball can be classified under two main categories: match coaching and developmental coaching. The objective of match coaching is to win a match by managing a team’s strategy. Developmental coaching emphasizes player development through the reinforcement of basic skills during exercises known as "drills." Drills promote repetition and refinement of volleyball movements, particularly in footwork patterns, body positioning relative to others, and ball contact. A coach will construct drills that simulate match situations thereby encouraging speed of movement, anticipation, timing, communication, and team-work. At the various stages of a player’s career, a coach will tailor drills to meet the strategic requirements of the team. The American Volleyball Coaches Association is the largest organization in the world dedicated exclusively to volleyball coaching.

Strategy

An image from an international match between Italy and Russia in 2022. A Russian player on the left has just served, with three men of his team next to the net moving to their assigned block positions from the starting ones. Two others, in the back-row positions, are preparing for defense. Italy, on the right, has three men in a line, each preparing to pass if the ball reaches him. The setter is waiting for their pass while the middle hitter with no. 10 will jump for a quick hit if the pass is good enough. Alessandro Fei (no. 14) has no passing duties and is preparing for a back-row hit on the right side of the field. Note the two liberos with different color dress. Middle hitters/blockers are commonly substituted by liberos in their back-row positions.
Player specialization
There are 5 positions filled on every volleyball team at the elite level. Setter, Outside Hitter/Left Side Hitter, Middle Hitter, Opposite Hitter/Right Side Hitter and Libero/Defensive Specialist. Each of these positions plays a specific, key role in winning a volleyball match.

Setters have the task for orchestrating the offense of the team. They aim for second touch and their main responsibility is to place the ball in the air where the attackers can place the ball into the opponents’ court for a point. They have to be able to operate with the hitters, manage the tempo of their side of the court and choose the right attackers to set. Setters need to have swift and skillful appraisal and tactical accuracy, and must be quick at moving around the court.
Liberos are defensive players, who are responsible for receiving the attack or serve and are usually the players on the court with the quickest reaction time and best passing skills. Librero means ‘free’ as they have the ability to substitute for any other player on the court during each play. They do not necessarily need to be tall, as they never play at the net, which allows shorter players with strong passing and defensive skills to excel in the position and play an important role in the team’s success. A player designated as a libero for a match may not play other roles during that match. Liberos wear a different colour jersey than their teammates.
Middle blockers or Middle hitters are players that can perform very fast attacks that usually take place near the setter. They are specialized in blocking, since they must attempt to stop equally fast plays from their opponents and then quickly set up a double block at the sides of the court. In non-beginners play, every team will have two middle hitters.
Outside hitters attack from near the left antenna. Since most sets to the outside are high, the outside hitter may take a longer approach, always starting from outside the court sideline. In non-beginners play, there are again two outside hitters on every team in every match.
Opposite hitters or Right side hitters carry the offensive workload for a volleyball team. Their primary responsibilities are to attack the ball from the right side and to put up a well formed block against the opponents Outside Hitters. This player hits the most balls on the team. He/she is set from the front row and the back row. Sets to the opposite usually go to the right side.

Formations
The three standard volleyball formations are known as "4-2", "6-2" and "5-1", which refers to the number of hitters and setters respectively. 4-2 is a basic formation used only in beginners’ play, while 5-1 is by far the most common formation in high-level play.

4-2
The 4-2 formation has four hitters and two setters. The setters usually set from the middle front or right front position. The team will therefore have two front-row attackers at all times. In the international 4-2, the setters set from the right front position. The international 4-2 translates more easily into other form of offense.

The setters line up opposite each other in the rotation. The typical lineup has two outside hitters. By aligning like positions opposite themselves in the rotation, there will always be one of each position in the front and back rows. After service, the players in the front row move into their assigned positions, so that the setter is always in middle front. Alternatively, the setter moves into the right front and has both a middle and an outside attacker; the disadvantage here lies in the lack of an offside hitter, allowing one of the other team’s blockers to "cheat in" on a middle block.

The clear disadvantage to this offensive formation is that there are only two attackers, leaving a team with fewer offensive weapons.

Another aspect is to see the setter as an attacking force, albeit a weakened force, because when the setter is in the front court they are able to ‘tip’ or ‘dump’, so when the ball is close to the net on the second touch, the setter may opt to hit the ball over with one hand. This means that the blocker who would otherwise not have to block the setter is engaged and may allow one of the hitters to have an easier attack.

6-2
In the 6-2 formation, a player always comes forward from the back row to set. The three front row players are all in attacking positions. Thus, all six players act as hitters at one time or another, while two can act as setters. So the 6-2 formation is actually a 4-2 system, but the back-row setter penetrates to set.

The 6-2 lineup thus requires two setters, who line up opposite to each other in the rotation. In addition to the setters, a typical lineup will have two middle hitters and two outside hitters. By aligning like positions opposite themselves in the rotation, there will always be one of each position in the front and back rows. After service, the players in the front row move into their assigned positions.

The advantage of the 6-2 is that there are always three front-row hitters available, maximizing the offensive possibilities. However, not only does the 6-2 require a team to possess two people capable of performing the highly specialized role of setter, it also requires both of those players to be effective offensive hitters when not in the setter position. At the international level, only the Cuban National Women’s Team employs this kind of formation. It is also used in Women’s NCAA play, partially due to the variant rules used which allow 12[17] substitutions per set (as opposed to the 6 allowed in the standard rules).

5-1
The 5-1 formation has only one player who assumes setting responsibilities regardless of his or her position in the rotation. The team will therefore have three front-row attackers when the setter is in the back row, and only two when the setter is in the front row, for a total of five.

The player opposite the setter in a 5-1 rotation is called the opposite hitter. In general, opposite hitters do not pass; they stand behind their teammates when the opponent is serving. The opposite hitter may be used as a third attack option (back-row attack) when the setter is in the front row: this is the normal option used to increase the attack capabilities of modern volleyball teams. Normally the opposite hitter is the most technical skilled hitter of the team. Back-row attacks generally come from the back-right position (position 1), but are increasingly performed from back-center in high-level play.

The big advantage of this system is that the setter always has 3 hitters to vary sets with. If the setter does this well, the opponent’s middle blocker may not have enough time to block with the outside hitter, increasing the chance for the attacking team to make a point.

There is another advantage: when the setter is a front-row player, he or she is allowed to jump and "dump" the ball onto the opponent’s side. This too can confuse the opponent’s blocking players: the setter can jump and dump or can set to one of the hitters. A good setter knows this and thus won’t only jump to dump or to set for a quick hit, but as well to confuse the opponent.

The 5-1 offense is actually a mix of 6-2 and 4-2: when the setter is in the front row, the offense looks like a 4-2; when the setter is in the back row, the offense looks like a 6-2.

Variations
Main article: Volleyball variations
There are many variations on the basic rules of volleyball. By far the most popular of these is beach volleyball, which is played on sand with two people per team, and rivals the main sport in popularity

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